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Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)

dc.contributor.authorSinger González, Deborah
dc.date.accessioned2022-02-18T20:15:41Z
dc.date.available2022-02-18T20:15:41Z
dc.date.issued2019
dc.identifier.issn1012-9790
dc.identifier.urihttp://hdl.handle.net/11056/22632
dc.description.abstractThis article problematizes the notion of ethnicity underlying villancicos de negros of the Archdiocesan Historical Archive of Guatemala (AHAG). Although these are musical pieces that project the idea of social harmony in a festive context, the truth is that identities emerge in conflict with colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes.es_ES
dc.language.isoenges_ES
dc.publisherUniversidad Nacionales_ES
dc.rightsAcceso abiertoes_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMÚSICA COLONIALes_ES
dc.subjectCATEDRAL DE SANTIAGO DE CHILEes_ES
dc.subjectSUBALTERNITYes_ES
dc.subjectETHNICITYes_ES
dc.subjectCOLONIAL MUSICes_ES
dc.subjectVILLANCICOSes_ES
dc.subjectNEGROSes_ES
dc.subjectCHRISTMAS CAROLSes_ES
dc.subjectBLACK RACEes_ES
dc.subjectETNIAes_ES
dc.titleInclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)es_ES
dc.typehttp://purl.org/coar/resource_type/c_6501es_ES
dc.description.procedenceEscuela de Historiaes_ES


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